picture books

Discovering the World of Alison Lester

At our beach, at our magic beach, we swim in the sparkling sea…

Alison Lester’s Magic Beach is one of those childhood books that was read so many times that now, when I revisit it, the words come back to me like an old favourite song. Not only am I filled with nostalgia over the familiarity of the words and pictures, but also that classic Aussie childhood experience of summer days spent at the beach.

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    ‘We swim in the sparkling sea’ from  Magic Beach  by Alison Lester (Allen & Unwin, 1990).

‘We swim in the sparkling sea’ from Magic Beach by Alison Lester (Allen & Unwin, 1990).

My mum is a children’s book designer, and has worked with Alison for many years – Magic Beach was actually finished on our dining room table while I was crawling around underfoot. Now that I’m all grown up, I caught up with Alison to have a chat about her books, and that indescribable feeling of connectedness to nature that she so expertly captures.

Alison grew up in South Gippsland, and many of the places visited by the characters in her books are based on real places, particularly in that area of the state. For instance, Magic Beach is based on the beach at Walkerville.

‘It does have bits of different places – there’s no jetty at Walkerville,’ says Alison. ‘But mostly that’s Walkerville.’

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       Noni the Pony goes to the Beach  by Alison Lester (Allen and Unwin, 2014).

Noni the Pony goes to the Beach by Alison Lester (Allen and Unwin, 2014).

I’ve since visited Walkerville Beach, and despite the lack of castles, princesses and smugglers, it does have a beautiful variety and seclusion to it that makes it special. As Alison puts it: ‘It has a bit of everything.’

‘Of all the books, Magic Beach is one of the least translated and I think it’s because the way we visit the beach in Australia is different to how others do it. We tend to go to the beach and really revel in the sand and the sea.’

Wilsons Prom – ‘that area where the mountains meet the sea’ – also features largely in Alison’s stories, and her psyche: ‘Often I’ll do something completely unrelated, and someone will mention how it reminds them of the Prom, even though I didn’t mean it to. It’s very subconscious.’

Her grandfather, father and uncle were some of the last to hold grazing rights for the Prom, and her family would visit every Sunday for a picnic.

We grew up thinking that it was our place, I think everyone feels like that about the Prom.

Nature is an ever-present backdrop of Alison’s books (‘I would never do a book that’s set in the city’), and they all celebrate the connection between people, and their connection with the natural world.

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    ‘… alone in the moonlight…” from  Imagine  by Alison Lester (Allen and Unwin, 1989).

‘… alone in the moonlight…” from Imagine by Alison Lester (Allen and Unwin, 1989).

‘The natural world is the best thing,’ says Alison, as our conversation turns to how her books – and children’s books in general – can help connect people to nature.

Alison talks about how encouraging kids to get out into nature and drawing what they see can really push them to notice the world around them, and by noticing things, they can come to appreciate it. She thinks that by showing her characters out in nature, she can help her readers feel more closely linked to the natural world.

‘You’ve got to get people familiar with it, because if they are unfamiliar with it they can find it quite scary, and so they don’t relate to it. If they feel they belong in it and it’s theirs, and that leads them to care and not chuck rubbish into it. It’s all those little things that make a difference at the end of the day.’


Ella Kelly

Ella is a PhD Candidate at the University of Melbourne, where she spends a lot of time thinking about why some quolls don’t eat cane toads (if only she could ask them!). She also enjoys talking and writing about science, and would ultimately love to have an actual impact on the conservation of Australia’s biodiversity.

You can find her on Twitter at @ecology_ella.

 


Banner image: ‘Droving on the beach’ from My Farm by Alison Lester (Allen & Unwin, 1992).

Phasmid: The Indefatigable Invertebrate

The Book: Phasmid: Saving the Lord Howe Island Stick Insect
The Authors: Rohan Cleave & Coral Tulloch (ill.)

Children’s books have a long history of portraying hopeful tales of adventure and survival through fictional characters and fantastical worlds. Phasmid, however, is of a different nature. A true story told through lyrical words and unique illustrations, this picture book is as informative and fascinating as it is beautiful. Written by Rohan Cleave, invertebrate zookeeper at Melbourne Zoo, and illustrated by Coral Tulloch, artist and children’s illustrator who has previously collaborated with the likes of Alison Lester, this narrative is a treat for children and adults alike. It is the story of the Lord Howe Island stick insect and how it came back from the terrifying brink of extinction.

The striking front cover image produced by Coral Tulloch.  Image courtesy of CSIRO Publishing.

The striking front cover image produced by Coral Tulloch. Image courtesy of CSIRO Publishing.

Also named ‘phasmid’, based on the order of insects that it belongs to, this animal was once endemic to Lord Howe Island. That is, until the hungry rats accidentally introduced by Europeans in 1918 feasted on the species until they were thought to be completely extinct. It was not until 2001 that a scientific expedition to Balls Pyramid – a sea stack south-east of Lord Howe – revealed that a small population of the phasmids was alive and well.

However, scientists knew that this tiny group of less than 30 was going to need a lot of help if they were to continue surviving. It is this incredible tale of a Lazarus species that Rohan tells in Phasmid, narrated by the insects themselves as they explain their very literal return from the dead. Being fortunate enough to speak with Rohan in person, I had many questions to throw at him regarding why he chose to utilise children’s literature as a means of communicating this almost unbelievable story.

With plenty of misinformation being spread around when it comes to the natural world, Rohan makes it clear that the aim of his book was education, and that through the use of both words and art, he hoped to make a difference: “For me, the imagery of children’s books…is so pure and so beautiful. Right from the start, I wanted art involved in this, because there is something really moving about art…that can get a message across, [as well as] the truth…I didn’t want just fact and fact and fact.” Additionally, the conservation work for this species is currently taking place at our city’s very own zoo, and Rohan makes clear how he was passionate about “get[ting] the story out about how important Melbourne Zoo has been in this story as well.” Without them, there may not have been such a tale of hope to tell about this fantastic creature.

A phasmid nymph hatching.  Image courtesy of Rohan Cleave, Melbourne Zoo.

A phasmid nymph hatching. Image courtesy of Rohan Cleave, Melbourne Zoo.

Although not a local species to Victoria, Rohan highlights the necessity of such survival stories in the wider context of conservation across the globe. He explains how he wanted to not only tell the story of the insect itself, but also “pay credit…to small teams of people” by revealing what can actually be achieved with a great amount of hard work and optimism. Surely one of the most amazing moments for those working with the phasmid was when Yarra, the first Lord Howe Island stick insect to be born in captivity, hatched on 7 September 2003 – also known as Threatened Species Day in Australia, marking the date that the last Tasmanian Tiger died at Hobart Zoo. Rohan explains how himself and other team members were “…checking every morning and the afternoon, [and] were as shocked as anyone else when this little green nymph came out.” It was the perfect day to celebrate the revival of such a unique species that was once thought to be lost forever.

As demonstrated through Coral’s vivid illustrations, phasmid nymphs are born an incredibly bright green and only later, after moulting their exoskeleton many times, do they change from green to brown and then eventually to black. Describing illustrator Coral Tulloch as “a treasure”, it is clear that Rohan admires her not only for her amazing work as an artist, but also for her passion for connecting with children through the medium of illustration: “[It was] a very positive collaboration…The illustration on the front [of the book] was one that was really important to me to get”. Coral did just that, producing an eye-catchingly unusual front cover, as well as accurate yet extraordinary works of art throughout.

A juvenile Lord Howe Island stick insect.  Image courtesy of Rohan Cleave, Melbourne Zoo.

A juvenile Lord Howe Island stick insect. Image courtesy of Rohan Cleave, Melbourne Zoo.

However, invertebrate conservation is a notoriously difficult endeavour to communicate to the public, who are often more interested in Australia’s furry and feathered friends. It was indeed a challenge for Rohan, as he explains: “Those of us that are converted think that [the phasmids] are [cute and cuddly],” whereas there are naturally many who do not agree. It has therefore been important for Rohan and others involved in the phasmid program to establish a connection not only between themselves and the insects, but between the insects and the general public. Prior to the writing of Phasmid, Rohan asked himself: “How could I get people to connect?” The result was a video that he produced of the hatching of a tiny phasmid nymph that has since gone viral, racking up an impressive two million views by people from all corners of the globe. This awe-inspiring video can be viewed below.

Unsurprisingly, Rohan and Coral’s work is also now available globally, making Rohan proud to say that it is not a story of just one animal – it is representative of “every species on the planet” and of the idea that “we’re responsible for passing something better on than what we’re leaving behind.” By coupling an imaginative narrative with a more detailed explanation of the work done for the species (included at the end of the book), both Rohan and Coral have successfully created a beautiful work of literature and art.

Sir David admires the beauty of an adult phasmid.  Image courtesy of Angela Wylie.

Sir David admires the beauty of an adult phasmid. Image courtesy of Angela Wylie.

Rohan admits, though, that the media has been incredibly supportive since the arrival of Adam and Eve – the first breeding pair to come from Balls Pyramid to Melbourne Zoo. Furthermore, Rohan tells me that the largest media presence he has ever seen at the zoo was the day that Sir David Attenborough himself went out of his way to visit the butterfly house – and “the only animal he wanted to see on the day was the Lord Howe Island stick insect”. This in itself says enough about the global significance of just one little invertebrate.

As the first children’s book to be produced by CSIRO Publishing, it will hopefully ignite more awareness for the phasmid, as well as encourage both children and adults to start asking questions about “their own local environment [and] their own backyard”. Rohan is aware that “everyone will take something different from it”, but that ultimately he “…see[s] this as a book that parents can read to young children to get messages out, to start conversations, to start children thinking…but also getting adults…to think about what they can do for…their children’s future.”

Finally, one of the most pressing questions on my mind when finishing the book was this: how on earth did this species reach and then manage to survive on Balls Pyramid, following their extinction on Lord Howe Island? Although there are various possibilities still being investigated, Rohan tells me: “That one, I’ve just left to the imagination.”

Perhaps most importantly, this book conveys what Rohan describes as a “story of hope” and the importance of never giving up: “I always think that the only messages we can put out are messages of hope. It is never too late.”

I could not agree more.

 

This book belongs on your bookshelf if... "you love great illustrations and true stories of survival, conservation and hope."

Click here for more information on this indefatigable invertebrate.


Rachel Fetherston

Rachel Fetherston is an Arts and Science graduate who is passionate about communicating the importance of the natural world through literature. She recently completed her Honours year in Literary Studies, involving research into environmental philosophy and the significance of the non-human-other. She is the Arts and Philosophy Editor for Wild Melbourne.

Find her on Twitter at @RJFether.


Banner image of Lord Howe Island is courtesy of Rohan Cleave, Melbourne Zoo.